Red and White Quilts for Sale

SEEING RED - NYC ABLAZE WITH COLOR AT THE ARMORY & AT FISHER HERITAGE
Quilt Photos and post courtesy of Laura Fisher

Fired up by the forthcoming exhibition from the American Folk Art Museum of one collector’s red and white quilts called INFINITE VARIETY, in further celebration of the color red and of quilt art, NYC American antiques dealer Laura Fisher offers a diverse collection of red and white quilts at her gallery throughout the Spring.

The color red in quilts is expressive, historic, even biblical in content. Among red and white quilts there are iterations of the two colors that can give clues to age. Earlier 19th century examples feature printed red fabrics with white, and some later 19th century quilts feature printed reds with printed white shirting cottons, as well as solid red.

Interest in antique red and white quilts runs the gamut from the bold graphic clarity of the solid red and white examples to the softer appearance of printed reds that many designers select when the small scaled prints work with fabrics based on historic printed cottons.


At the 67th Street (Park Avenue) Armory from March 25 -30 will be 650 (yup, amazing!) quilts in solid red and white literally hanging from the rafters like nothing ever seen before! Up for only a week, and FREE to the public, lovers of graphic design and of quilts are coming to town to see it and the other ongoing quilt shows at the AFAM.

The collector concentrates on solid red with solid white. Fisher is regarded in the design trade as the queen of two-color antique quilts, offering every shade with white.

Also available are antique textiles including coverlets and ticking in the same palette.






Gallery hours are Monday through Friday, from 11:00 – 4:00 or by appointment.




Red and white used alone was a mostly 19th century phenomenon, later supplanted by the solid pastels and the pastel printed cottons of the 1930s Depression era. For Fisher, when red appears in a 1930s quilt of colorful feedsack prints, it immediately catches the eye (see her current column in The Quilt Life Magazine called Feedsacks in Motion.

You can reach Laura Fisher at:
FISHER HERITAGE
305 East 61st Street,5th floor
New York, NY 10065
212/838-2596
http://www.laurafisherquilts.com/
fisherheritage@yahoo.com





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It's the Year of the Quilt! Are You Planning your 2011 Vacation?

 HAPPY NEW YEAR to each and every one of you! Thank you for being here, for commenting, for bringing your Quilter's Spirit to my little nook of the planet. I wish you many blessings and prosperity and joy-fulled friendships and experiences in 2011.

2011 brings an extravaganza of quilts into the fold from the American Folk Art Museum collection and a private collection, which will will be on display at various locations in the city throughout the year.

Infinite Variety, Three Centuries of Red and White Quilts will cap the American Folk Art Museum's "Year of the Quilt."  It is the largest exhibit with over 650 red and white American quilts displayed at one time! They are hung four and five high, as if floating in space, in a circular fashion at the Park Avenue Armory from March 25-30, 2011.  Entrance to the this special show is free. What a gift for those who can attend.

This will be the largest quilt exhibit ever seen in the city. All of the quilts are on loan from one New York City private collection. Fifty quilts will be chosen by and donated  to AFAM's collection after the exhibition. Wow!  What a memory to have. I've seen pictures of the installation and it's not something you can describe, you've got to see it to believe it. A café, gift and book store are also in the armory which is located at 643 Park Avenue between 66th and 67th Streets.

Read much more about the Infinite Variety exhibit and three more major quilt exhibits from the museum's collection being offered this year including the curator's thoughts and historic perspective.

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American Folk Art Museum's Super Star Quilts Opened Yesterday

Stars, some of the most important elements of the natural world, are also a beloved and enduring motif in American quilts. Stars appeared in pieced bedcovers as early as the eighteenth century and remain popular with quilt artists today. The "Super Stars" exhibit illuminates one theme in the textile masterpieces from the  American Folk Art Museum's collection that is on display in the NYC 2 Lincoln Square location  from November 16 to September 25, 2011.

Stars do not make a major appearance in American quilts until the last quarter of the eighteenth century, when they were increasingly used as a pieced field motif. This was no doubt a response, at least in part, to the design of the flag of the newly formed United States. Conceived as a “new constellation,” the canton featured white five-pointed stars against a cobalt background, evoking once again the moral certitude of the heavenly canopy, as well as the strength of America’s victory. By this time, stars were also a strong element in the neoclassical lexicon. Their presence on quilts allowed the tenets of the classical world to resonate with the new republic in a highly fashionable manner.

It was not until the turn of the nineteenth century that a single eight-pointed star moved front and center in whole-cloth quilts, usually pieced in a solid-color glazed wool known as calimanco. But with the invention of the kaleidoscope in 1816, art and science took an unanticipated and dazzling turn. Quiltmakers, especially, embraced the refracted imagery produced by the kaleidoscope. Large single stars now blazed across cotton quilt tops, pieced from multitudes of diamonds that scintillated in rings from the center to the points. Staggered rows of repeated stars danced across the surfaces of bedcovers. By the Victorian era, the aspect of stars changed once again with the influence of exotic ideas from the Near East. Star motifs were interpreted for a new age in silk, velvet, and brocade show quilts.

"Super Stars" , curated by Stacy Hollander, highlights the dazzling diversity of this variable pattern as interpreted through more than one hundred years of quilt artistry. The museum has published a book of 200 of their most significant bedcovers in their collection to coincide with the exhibit. If you can't make the exhibit, get the book;  Quilts, Masterworks from the American Folk Art Museum or give it as a gift.

 I have long pointed to the the museum's first quilt book, Glorious American Quilts,  as one of my  most prized books on the subject of quilt history. Beautifully written and photographed, it gives so much information helping me learn about the periods and influences on American quilt making.  I learned how to date quilts in part because of this book.

Given that the same author, Elizabeth V. Warren , and former curator of the museum, also authors their new book, it must be fabulous as we know more than we did in the early 1990s when Glorious was written (published in 1996). Also the museum has added about 100 bedcovers to its collection, including a  late 18th century patchwork quilt made with the Hewson panel in the center.  And yes,  it will also be on display for a time during their Year of the Quilt, in the Masterworks Quilts exhibits. (more on that in another blog post.)

Quilts: Masterworks from the American Folk Art Museum  By Elizabeth V. Warren, with a preface by Maria Ann Conelli, a foreword by Martha Stewart, and an introduction by Stacy C. Hollander. New York: Rizzoli International Publications in association with the American Folk Art Museum, 2010. 336 pages.



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Welsh Quilts on exhibit at the Jen Jones Welsh Quilt Center

THE JEN JONES ELSH QUILT CENTRE 2009 exhibit photos

The Welsh Flannel geometric patchworks were the focus of the inaugural exhibition at The Jen Jones welsh Quilt Centre. They are thrilled that, at last these wonderful artifacts have become universally recognized.

 

 

 

 

 

 

Opening March 6^th 2010

Their new exhibition, 'Unsung Heritage: The Quilts Of Wales'  will be a further revelation in terms of the enormous spectrum within the Welsh quilting tradition.

They will feature the fiery reds including red paisleys and paisley shawl quilts.

 

 

 

 

 

 

 

Alongside these will hang the contrasting and diverse cotton patchworks and whole cloths that represent a major portion of the output during the 19^th and early 20^th century.

Early Cotton patchwork Merthyr Tydfil C1840

 Email quilts@jen-jones.com

www.jen-jones.com

My thoughts:

There is joy in viewing Welsh quilts due to the simplicity of the patterns, the contrast of the fabrics and a WOW in the incredible stitched quilting patterns. Welsh quilter's seem to bring the art of quilting (stitches) to the forefront of their work and of the times.

They share quilt styles with the English, and wool contrasting concepts with the Amish, but the quilting, it stands alone, in an outstanding way from most quilts through time. Our American made whole cloth wool quilts, or  are the closest quilts I know with ornate quilting. French made quilts have stuffed quilting with ornate designs, but they mostly favored channel quilting, or straight lines and angled quilting, not the swirls that are common on Welsh and fancy wool whole cloth  quilts.

If any of you visit the exhibit, please let us know more about it. We'd love to hear. You can email me, or leave comments.

Reminder AQS' Andi Reynolds, Wednesday 11/11 Tele-Interview

Have you ever dreamed of having a particular job, or kind of position that you knew would make your heart sing every day you were there? Andi did and she got it! This interview is for all you who have ever dreamed. But if you are afraid to dream too big or to believe in yourself enough you are getting in your way. Andi will tell us how she got to the position of Senior Book Editor at American Quilter's Society. She did not work her way up in the org, nor does she identify herself as a quilter, yet she has made quilts. it's a fascinating story that gives hope to all of us.

There is a picture of Andi and more details here about her and the topic.  She will be my tele-guest, and yours, on Veteran's day, the second Wednesday in November, 11/11/09. The lines will be open discussion. Bring your questions for her about AQS book submission, authorship, editing, writing articles or a study group magazines, as she was editor of "Pieces of Time" for the IL/Iowa quilt study group before taking the position in Paducah. If you prefer, email me your questions in advance and I'll ask Andi on the call. Reach me at interviewsbykim@gmail.com

Phone number for the call is 1-218-862-7200. The access code is 349853. Enter it at the voice prompt after you call in. You can use your cell phone. The interview is FREE. Any phone charges are yours. I believe the number I use goes to the Midwest. Please be in a quiet room so that when the lines are open (not muted) we can all hear Andi easily.

Please help me spread the word. It's only two weeks away before the holiday rush sets in.

If you missed the teleinterview with Kyra Hicks yesterday, the recording will be Women On Quiltsblog by Thursday. We had a great group and discussion. It was fun with all the input. Let's do it again on Nov. 11!

Andi Reynolds, Executive Book Ed. at AQS & and Old Menswear Made into Quilts Exhibit

Join us Monday evening, Sept. 21, when Andi Reynold's is my guest on Women On Quilts, with open lines for your questions. For much more info about Andi and the call in number go to Women On Quilts.  Tell your friends about and gather around your phone (It's Andi's Birthday!!! No charge for girl's night out)

All cotton, men's shirting stripes and a variety of conversation prints depicting men's sports, especially baseball.

MASTER PIECES: Haberdashery Textiles in Antique Quilts. Curated by Laura Fischer at NEQM NOW until Nov. 15 in Lowell, MA
The antique quilts on exhibit are made of menswear fabrics recycled from suits and shirts, neckties, pajamas, military uniforms, work clothes—even woolen underwear and socks. Some also resulted from the artful salvage of menswear swatch sample books and fabric mill remnants.The tradition of making unique, often very personal quilts from repurposed menswear textiles gained popularity around 1850, and lasted through the 1950s. The quilt below is made from their vests and hatbands.

The 40 quilts made from menswear, much of it recycled clothing, are intriguing, graphic works made from simple utilitarian fabrics long overlooked in the study of antique quilts.  Popular for about a century, these quilts are compelling and often whimsical. Simple squares arranged in a diagonal pattern prove on close inspection to be made from scraps of patterned jersey socks.

A shimmering kaleidoscope of diamonds in rust reds and yellows is pieced from 1950s neckties. Thin lines going in every direction look like a contemporary drawing are actually random scraps in a c. 1915 crazy quilt pieced of fine, striped silk shirting.

The narrow serpentine strips in the blocks of a 1905 Amish quilt are cuttings from woolen long johns. Bright, dimensional flowers are embroidered on a century-old, unlikely foundation of tailor's wool suiting swatches, as are a flock of vividly colored birds on branches.

Visually stunning and strikingly modern, these antique textiles make distinct graphic statements out of the most everyday materials.

The quilt on the left is made from suiting material.

The guest curator for the exhibit is noted antiques dealer and author Laura Fisher of FISHER HERITAGE in New York City.In addition to the quilts themselves, the exhibit will feature historic advertisements, swatch books, and catalogs from menswear companies, dating from the 1880s through the 1950s, including several items from the vaults of Brooks Brothers, the chief sponsor of the exhibition.

Today, the tradition revives in memory quilts made from old T-shirts and clothing that has personal sentiment. Recycling these materials is now considered environmentally aware, adding further appeal to their inherent design potential. Contact the New England Quilt Museum for programs and more info. Photos courtesy of Laura Fisher

For Andi Reynolds interview info go here.  It's happening this Monday evening, 5 PM Pacific, 7 Central, 8 Eastern.

Quilters and the Friendship Effect- Ways to Creatively Cope During Stressful Times

When you feel stressed-out about the economy or a job loss friendship, quilting and charity work can lift you up.(This quilt block is ca. 1845. I bought 4 different ones at the Quilt Festival in Long Beach 2008. All of the Art Quilts were shown at Pacific International Quilt Show, October 2008)

The effect of bonding through friendship on a female's natural response to stress was recently studied in a prestigious university's landmark study. They found that in the female brain different chemicals are released during stress than in male brains. Females release oxytocin.

Oxytocin is the natural occurring chemical released in a woman's brain when she gives birth, breastfeeds and cares for children. Oxytocin soothes and buffers the    automatic "flight or flight"  response. Quilters know meaningful conversations and sharing of feelings  happen during a girl's night out, a quilting retreat or class, meeting for dinner, or talking on the phone.

Other studies show when you give to a charity you believe in and know your donation will be used the way you want, you experiences physical and mental benefits that come from that act of doing good for someone else. Making donation quilts for children, elders, soldiers and others in times of need is nothing new to quilters. You give the gift of quilts as a symbol of their love in the form of a cozy fabric hug.

Women who are adept at machine work talk about "the zone" they get into. This is a mindless state of relaxation which is productive and relaxes the body and reduces stress responses that may follow.

Dealing with stress was a common theme when I was practicing as a psychologist and it is frequently the topic as I coach creative solo-preneurs today. Sewing and quilting are not always available when stress is high at work or when you're tired, or your eyes need a rest from close work, but paper and pencil are always handy.  Journaling or writing out how you feel about your situation is another powerful stress reducer. Writing a detailed narrative of the upsetting events, past or present, that occurred in your life and most importantly your feelings about them, has been shown to be very effective in relieving depression. Sometimes it can be as effective as therapy or anti-depressants.

Seeking friendships, quilting, giving, tackling solutions in chunks of time and focusing most of your thoughts on what is good about your life and gratitude for it will help to sooth your mind and body. Without further effort on your part, chemicals will be released to help you cope until inevitably things will turn around and point you in an exciting new direction.

I hope this was helpful info. Or you can say it just gives more reasons to be glad we are quilters!

Piece to you and those YOU quilt with,

Kim

A Scrap Bag Full of Varied Info & Offerings - Keeping You in the Know :)

Hi Everyone! Grab a cup of java or glass of whatever and settle in with me.

1.) Have you heard the sad news that Cranston (VIP) closed its printing division in their Webster, Mass company? This means that there are no companies in America printing cotton fabric for apparel and quilters. Their textile mill began around 1812, almost 200 years ago. "The plant, which still rolls out 20 million yards of printed cloth a year for people who sew at home, once employed more than 700 people."

I have had the pleasure of taking a tour through their plant three times beginning in 1997 and I was always Wowed. They grew with the times, changing and improving their machinery and adding computerized dye coloring of the roller screen printing machines and all other aspects they could computerize, they did. I saw fewer employees on each visit and no smoking went into affect.

Cranston was not weaving cotton cloth, they imported it from overseas, but all the printing was done there with the design division in NYC. Now foreign companies will also do their printing, just as all the other former quilt fabric manufacturers have done. They will only package and distribute the textiles they design from their US facilities. You can see a short video of their machinery in process and read more about their history and closing here.

2.) AQSG is offering all of the UNCOVERINGS they have in stock at 50% off through June. The order form is in a PDF, to print it out and mail in. Contact AQSG's website to find the link UC JUNE SALE.PDF This is a great deal.

3.) Beth Davis sent me this article in response to my increasing interest in the publishing world, thank you Beth! It was written today by the managing director of one the finest art and textile book publishers, Thames and Hudson. Jamie Camplin writes [bolding is my emphasis]

"If we moan about “dumbing down” in the face of the visual noise that comes our way daily, it only means that we are living in the age of “more”—more that is mediocre, but also more that is astonishingly creative.

Art has a very strong hand to play in the 21st century. In an era in which technology makes most products more uniform but in which printing technology can show art’s strengths as never before, in which fragmenting marketplaces and marketing platforms need all the help they can get, and in which the power of the visual to sway emotions has never been stronger, art’s distinctiveness, creativity and originality give any art-book programme a strong start." (the complete article is here)

4.) Camplin's statement gives me hope that beautiful textile and quilt books will continue to be published and that novice authors, quilters, and other creative people can publish too, online as eBooks, self-published or through traditional publishers. All three have their place. All three have pros and cons for an author to consider in determining which is a better fit for her.

If you have the desire to be an author, are writing your book now,or want to sell the one you have now, get this free report about building your author platform online, written by Joanna Penn, a favorite writer and blogger of mine.

Click on the icon above to read her description of the free report. If it sounds good, then you'll know if you want to buy the tutorial, Author 2.0. It is video, audio, and written text. All learning styles can use it. I highly recommend you get the free report!

Joanna just published "Author 2.0" which both shows and tells anyone how to market their book, beginning before it's written. Publishing houses expect you to put your marketing plan and current platform into any book proposal you submit. If you self publish this is also a must do for you. It can be fun!!

She will be my guest in a free open lines Tele-class, with a slide show, this Thursday, June 4th at 4 PM Pacific time, 7 PM Eastern. It's fr.ee. Ask her questions or email me with them in advance. The call-in info, conference code and link to slide show is here now. The class will be recorded and available on WOQ in the Audio Interview Library.

Joanna is internet savvy. She learned by authoring 3 books and speaks clearly, simply, and to the point. She gives you lots of info about using the internet to your benefit to increase sales and get your words in the hands of people who will enjoy and benefit from your hard work of writing a book!

Get her free report (click the icon above) about the state of the publishing world and what you can do with WEB 2.0, crucial info for marketing through social media and the newest internet forms of media and learn more about the business model for today's market.

6.) When you are feeling down quilting can lift you up again for reasons you might not expect is the title of an article I wrote over the weekend. Read it on Womenfolk's web site. Here is a snippet of my favorite tip for relieving stress from a recent UCLA study, but applicable to quilters during these economic times:

"The friendship effect on females natural response to stress was recently demonstrated in a university's landmark study which showed that different chemicals than in male brains are released during these times of bonding. Oxytocin is the natural occurring chemical released in a woman's brain when she gives birth, breastfeeds and cares for children. The chemical dulls pain and buffers the automatic "flight or flight" chemical response. The numerous opportunities for meaningful conversations and sharing of feelings happen during a girl's night out,...."

Read the rest of my article here. From that page click on Frugal Quilts for patterns and more articles about the past and present.

In closing, I hope you are enjoying reading CHANGING TIMES:Women's Stories 1902-1942. Click the title or the icon on the upper left of this page will download it for you to read online or print out to read in a cozy chair. Lot's of wonderful comments are coming in about it. Please comment here on Quilter's Spirit.**

Wishing you each a fulfilling and creative week!

Kim

**It's easy to make a comment: See the word Comment below? If there is a number other than 0 next to it, click it to read the comments already posted, and a box for you to put in your comment in also comes up. You can write it anonymously or with your name. Please don't solicit your products there, instead hyperlink your blog or web site URL to your name. The comment box makes it very easy for you to do that if you don't already know how. Readers who are interested in knowing more about you because your comment is interesting and relevant will click on your name to "meet" in your territory. (hint-comments done this way are good for marketing)

Antiquequiltdating.com is Exposed Across the Pond and a Border!

What a surprising year 2009 is turning out to be- wow! I am so grateful. My website, officially titled New Pathways Into Quilt History ,is in its 8th year having begun in the spring of 2001. I owe so much to Judy Breneman, of Womenfolk America's Quilt History websites for helping bring me into the cyberspace world. In 2001, she posted her new website on the QHL and invited anyone who was interested in starting a website on the same server she was using, WebSeed, to let her know. WebSeed required weekly updates and other things as they were making advertising dollars off of our websites. It didn't succeed for them  but Judy and I continued on a regular hosted network system. We were on our own now.  Judy and my husband helped me operate and grow my website, as well as a second one for selling my Antique Quilt Dating Guides...by Style. I am grateful for their belief in my ideas and their support and troubleshooting through the years.

It was exciting when guest authors wrote fabulous articles specifically for my website's audience. Requests for fabric and book reviews have been a welcomed adventure.  I have a stack of books on my desk now that are awaiting to be shared with you. Because of all the input from quilters and writers from around the globe, the website developed its own diverse expression. I am not taking credit, instead I am thrilled that the outreach of many has come to the attention of publishers in England, Ireland , France, Canada and Australia, as well as US magazines and publications online and in print. Here is what has occurred this year.

In the January issue of Britain's Patchwork & Quilting magazine,  Yvonne Jenkins editor of Wandering the Web, featured my website "An excellent website for any quilter interested in the history of quilt making" is her opening sentence. And her closing sentence is just as lovely. Quilters Spirit is described, so all of you are in the magazine too, in Spirit!  Thank you Yvonne for this generous review and a wonderful surprise!

It was my Irish friend, Roselind Shaw, who told me this article was published in the magazine she reads faithfully.

 

 

Some of you may recognize Roselind's name because she has two articles about Irish Quilts on my website. It is this quilt article of Roselind's that caught the attention of the editor of the newest quilt magazine Irish Quilting, Sherry Nugent. Other quilters featured in Irish Quilting's Vol. 1, Issue 2 magazine are Mark Lipinski, Pat Sloan, Kimberly Einmo and Terry McNeill. This is a gorgeous magazine, with the quality of paper and photos as that of Quilt Mania magazine. This issue has 99 pages of patterns, travel, articles and quilts quilts quilts, mostly contemporary, but obviously not all. Rosalind and I were thrilled to receive the request to be in this magazine. I have seen the first two issues and it is not only for Irish quilter's. Quilters anywhere would love this magazine and where else can one find out about what the Irish are up to in the quilt world! They are busy and innovative. There is a  Quilter's Guild of Ireland, an Irish Patchwork Society, and of course, the Quilter's Guild of the British Isles. For more information and to subscribe to this magazine contact info@irishquilting.ie and subs@irishquilting.ie It will be available in the US. Turns out Sherry's mom lives in the same town where  my quilt guild meets. Small World!

Canadian web designer and quilter, Michele  Foster, founder of the Quilting Gallery invited me to be in her month long series about quilt bloggers.  This month, on the 18th, I was the featured blogger. I was among many wonderful quilters, so check them all out when you take a peek at mine. I decided not to write the typical normal this is how I got started kind of thing. I hope you enjoy the views I share in this piece which has a few photos too. The art quilt I made, title Reverberations, needs to be quilted. I can't figure out the best pattern to use and would love input from those of you much better at quilt patterns for contemporary quilts than I am.

If you are interested in quilt history study groups, I have posted a detailed summary of our discussion about them earlier this week on Women On Quilts, check it out here. IF nothing else, there is a long list of suggested topics provided by the Illinois/Iowa Quilt Study Group. They meet at the Kalona Quilt & Textile Museum in Kalona, Iowa twice a year and their meetings and efforts help raise funds to keep the museum running and caring for their collections. The Group also  produces the magazine "Pieces of Time" which their study group meeting's photos and focus contribute to and the members do most of the writing in it. What an incredible accomplishment!

May your year be filled with wonderful surprises and people as well. I certainly value your readership and sharing. Piece on!

Kim Wulfert