Ever dream about careers in quilt history, then wonder what are they?

Have you ever wondered what people do who call themselves "Quilt Historians".  Have you ever dreamt about making a career in  the ever widening fields of quilt history, costumes, or quilts? I wondered  how  women went about becoming quilt historians when this field didn't even exist until the last quarter of the 20th century? Who were their mentors and role models?

I invite you to look into the lives of said women (and one man so far, another on the way,) on my Getting to Know Today's Quilt Historian pages.  Many new women have been added this month, while others have updated their interview and more are working on theirs now. There is great joy for me to bring their history to my readers. Please let others know about this and share the joy!

What motivated me to interview women who have helped  make the field what it has become today was my curiosity about what motivated them to get involved as they did.  Who were their mentors, what peaked their interest, what was their favorite job or research project and  what do they still want to do. What I learned is that their imagination and dreams grew as they did. With each step they took a leap of faith driven by a love of quilts, fabrics, or history which kept them going. At the end of each profile is a comprehensive bibliography of their publications, lectures, exhibits, and so forth. Use it also as a  reference guide should you need it for your research.

Today we follow their tracks to a certain extent. These women and men can be your mentors, Read their interview online.  One thing led to another and their dreams became larger and wider, and so can yours. My interviews show creativity in action as well as educate us about the broad field of quilt history.

While you're on the page, take a look at the second photograph. I took a picture of the entrance to the International Garden of Peace. It is the Peace Portal at Meditation Mount in Ojai California. Then I played around with the digital photograph to make it look like a stream is running through an Asian doorway on a hot day. In reality, there is no water, it's a path through a garden under a  blue sky on a typical day.  It's fun to play this way.

I hope your new year is wonderful so far. I  started my mixed media collage class again. This semester we are focusing on line and we'll learn to use gesso in various ways. I am surrounded by accomplished artists in this class and learn so much from them as well as the teacher. We make collages in class and share them for her critique at the end. Mostly we make abstract collage with papers, fabric sometimes, and other flat embellishment. We use a great deal of clothing pattern paper. The  printing on the tissue paper are examples of line to be  used in creating action, interest and leading the eye along.
Tell us about what  creative adventures you are up to this new year?

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Remembering Adelia was more than a book to me

Oh it is a busy time of year! I hope you too are enjoying the myriad delights of the holiday season. I do more and more each year. I think it's because I value my family and my friendships, new and old, more deeply than I did when I was younger. I love giving gifts, cards, and coming together for parties and meditations for the new year.

I was drawn to Kathleen Tracy's book "Remembering Adelia" the first time I saw it. In glancing over it I saw that  it was a book of small quilts with patterns and diary entries written by a young woman named Adelia, set in mid-19th century.  I set it aside to read nearly a year ago. During a recent rain storm
I read the book.  It's an easy cozy read in one sitting. The diary narrative of Adelia Thomas is real. She was  a young woman living in the year 1861 in northern Illinois.

My eyes lit up and my jaw dropped by what I discovered!! I grew up and still have dear friends in the same towns  Adelia writes about in her diary. There are also original photographs of the countryside, houses and people living  there in the later part of that century.

It's unique  for this to happen when I'm reading a quilt history book. These are not historically important places today or then. I was born in Minneapolis and raised in the northwestern suburbs of Chicago until I left for collage after high school and to live out west.

Adelia lived in the town of Woodstock, IL, which I have only visited a few times, but it is the other towns that she and her family visited frequently that were my stomping grounds and may be yours too: Des Plaines, Algonquin, Elgin, St. Charles,  Chicago's Michigan Avenue and State Street, and Park Ridge, where she raised her own family years later. Oh the memories!  Dear friends and family are still there  and new memories are made there because of their children growing up in the same towns.

Although the year of diary entires is during the start of the Civil War as Adelia's male friends and family were leaving for military duty and there was change and sadness in her life, the book was a joy to read for me and I think you would also enjoy it if you like diaries of 19th century women who quilt!!

The quilts Kathleen shows are scrappy style made from reproduction fabrics. She picked patterns with significance to the time period.  The quilts are adorable ranging from doll to lap size with fourteen patchwork and two applique quilt patterns and housewif and journal cover patterns.

This is a pattern and story book of historical relevance a beginner would enjoy as much as the more advanced  quilt history enthusiast. I think it would be a lovely gift for a friend, daughter, or yourself, OR for someone who lives in Illinois.

I know there are other diary inspired quilt books with patterns, including Kathleen's first book on Prairie children quilts. If you have a favorite, please tell us about it, the title, author and what you liked about it, or what made it stand out for you. I'd like to have a list handy and I'm thinking some of you would too.

Please post your comment on the blog by clicking here http://www.quiltersspirit.blogspot.com/  and scrolling down to the comments box, or clicking on the word comments. You can read about others favorite diary books there too.

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Thankful for my Dog and you!

I wish you all could smell the banana bread baking in my oven. It's my special recipe. Baking is one of the creative endeavors I have really played with this year. I like tweaking recipes, not following them.  I've baked so much, for so many people, I have acquired a reputation. They hint for more as a show of support....yeah right.  Luckily I can give away most of the results because I find it relaxing to prepare baked goods and a delightful challenge to try out new ideas through food. Waiting for the goodie to bake is tough, so I read a good book and whiff in the smells.  I bake allot this time of year, as I'm sure many of you do too.


Tonight my husband and I along with many special friends are having a Gathering of Giving Thanks and Gratitude at the spiritual center we attend. Afterward, we meet for a dessert pot luck and my bread has a place reserved for it there.

This summer we held a Pet Blessing Ceremony in the same room where I am seen holding my dog, Faith, who is hard to see because she is all black except for her gray eyebrows and snout. It was quite a scene with about 45 dogs and cats (in their carriers) coming together to be individually blessed and honored. Aren't pet people the best people- or is that quilt people? Often they are one in the same, aren't they.

Faith nearly transitioned a year ago this month. She was very sick for many months. Using Reiki, prayer, crystals, change of food, lots of sleep and supplements, I and friends were able to pull her back from the edge. Today she is a young 12 going on 3. I kid you not! She is better than before. In retrospect, and a blood test, we think she had Lyme Disease. I wouldn't take her to a veterinarian when she was sick because I believed based on the experience with my dear cat Sage, that they would have strongly suggested I put her down; saying with authority that her chances of pulling through were slim. I didn't want this in my consciousness. And they would have done a bunch of tests had I said let's try, and I didn't want to see my dog go through that.

Faith told me with her eyes, as she couldn't move or walk hardly at all, to stay with her and give her my energy and love. So I did, night and day for a long while.  I sent her energy through my hands and my mind in meditation. Friends joined me in both forms of treatment. She was all I paid attention to throughout the holidays and into 2010.  In time I got her to walk, if only a partial block. My husband lifted her everywhere else. We have lots of stairs in our home. We built ramps for her where we could and put her food up higher when she could finally stand up to eat. I fed her from my hands for months.

In late March I met a family practice veterinarian, at a training conference on non-violent communication. She was wearing a sweater that looked like a giraffe's skin. A giraffe is a character in the training, but neither she nor I knew about that when we signed up. The point in telling you this, is that it was the pattern kitted into her sweater that drew me to speak to her out of many people there. She was an answer to my prayers for medical expertise. She is now a close friend and my dog is completely healthy.

She practices a new vein of veterinary medicine, referred to as Family Practice Veterinary Services. Dr. KaLee Pasek is now teaching this approach to Vet. med students at University of  California at Davis. It's wholistic and includes the family and environment. It reminds me of my work as a psychologist, in using a systems approach to diagnosis and treatment planning.

If you haven't read the comments posted to "Do you own your first sewing machine?" click here to warm your heart or post your own experience. I loved the responses that were shared. Thank you all- your love for your first machine came through your creative heart and mind. It's amazing to me how close we hold the memory. I do of my first machine too. It was the one I bought on time payments when I was in college. It was a Viking, made in Germany. Heavy metal and all that, but it was in a case and portable. And yes, I still have it.

It is wonderful to be sharing with you through the blog and emails. Thanksgiving is the time of year to say thank you, but I am grateful every day for all the blessings in my life. Those blessings I hold closest are the relationships I have will all beings on the planet. Yep- all beings around the globe. We are all one. Namaste and Happy Thanksgiving to each of you and yours.

Love,
Kim


Please post your comments by clicking here http://www.quiltersspirit.blogspot.com/
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Do You Own Your First Sewing Machine?

Who needs fiction when life is so amazing!  I was visiting a girlfriend's studio recently, admiring the art quilts she makes hung on the walls and stacked antique quilts stored in a tall cabinet. Along one wall were shelves and shelves of small old sewing machines. Some were made as toys, but  I was amazed to hear that most of the 30 or more on view were  not. They were made small with hand cranks in the days before electricity.  The miniature machines were a smorgasbord for my eyes and heart as I envisioned a woman using one.

Next I landed upon a metal machine that looked like the outside of an Art Deco building,  made with variegated green metal. In fact, it looked completely different from all the others. I wasn't familiar with the name stamped in the metal along the front edge.

My friend pointed toward the ground to a smallish square red sewing machine case. Oh, was it heavy to lift. I unlocked the sides, removed the top and voila, there was another one just like it, only this one was stamped Betsy Ross on the front. It wasn't a toy machine, but small for a child to use and it was electric.

She explained that when she found the machine displayed on the shelf, she was called by it looked until one day it dawned on her that it was like the machine she learned to sew on as a child  in the 1950s. Excited about the memory she searched the Internet until she located what was her machine and discovered that yes, they were exactly the same machine!

She bought the Betsy Ross machine on eBay, in perfect condition, case and all. As we looked at it, we wondered if this might actually BE her childhood machine. Stranger things have happened, right?

Then I heard a couple on the Today show this morning, who married in the 1950s and couldn't afford to buy their wedding photos. Recently the wife was searching through a 55 gallon barrel of scrap at a scrap/junk yard.  Digging through photographers scrap, when she was near the bottom she came upon THE  negatives of her marriage ceremony. Apparently the photographer had held on to them for years before tossing them and others out.

I think I'll make a mental list of what I've lost or tossed and would love to have back.  Let's see, there was a beautiful necklace from my Grandmother who wore it as a child herself that was taken by a house cleaning in the 1980s. It's funny what jumps to mind when I hear these stories.  How about you?

Please post your comments by clicking here http://www.quiltersspirit.blogspot.com/
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Quilts Embellished with Poems, Words, Messages

I find myself dating quilts for people today, some of which are filled with signatures, others with a single name. All tell a story. As I search through my library to gather more information for them, I see the beautiful synergy of words and fabric coming together. Here are a few links for your enjoyment too.

• The Soldier  Quilt and Poets  
• Where Dreams Wait  quilt made for a quilt challenge with the theme  "Indelible Spirit."  It celebrated the indelible spirit shown in those who create art in spite of limitations
• The Seldom-Ever Shady Glades 
• Imagine your favorite quilt while reading this Tennessee  poet's poem
• A thread of poems about quilting, dreaming and nature by Judy Anne. (check out the poem Judy posted  in comments on the last post )
• I saw this fabulous exhibit Talking Quilts at the American Folk Art Museum. scroll down the page to see 4 antique quilts in the show,  click to a large view
• A compilation of photos of text sewn onto textiles for art's sake

Funny thing happened when I was sitting on my studio floor flipping through the books. My eyes caught a glisten of color against the carpet. My eyes followed it until I realized it was a lone thread that had fallen from the sewing table. So I bent forward to picked it up only to see that the thread was still coming up as I settled back down in the Indian style posture. What?

Thread was actually strewn and tossed all across the floor! The kitty had knock it off the table and pushed it all over until finally it went too far under the couch for him to reach. I quickly scanned for more deconstruction, as there were at least 15 spools of thread and 5 bobbins by the machine. I was grateful to see that he had tired after chasing just this one!

Thank you to everyone who has written me since I posted this week and sent wonderful message and shared their sense of sisterhood with the poems Delaine and I wrote. You bring joy to my heart. And to you I write this itty bitty poetry-

Piece for Peace
Live to Love
Shine your Light
for all to see
The beauty in thee

Keep the poetry and comments coming. Soon I'll post a scrappy "landscape with  stormy sky" I recently made.


Kim
http://quiltersspirit.blogspot.com/
http://livingtomakesenseofitall.com/


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Another Closet Poet Quilter

Delaine sent her poem "Into My Journal" in response to my post yesterday. She writes- "Kim, writing has opened my heart to myself, I did not start writing until I was very ill with Chronic Fatigue, I attended a writing for healing group and the doors opened and I feel it was the beginning of my returning to a normal life."

                           Into My Journal

As I open my journal, I step into a secluded windowless cabin.

I shut the door and the world falls away

Light from the outside shines through tiny cracks
This room can be very shadowy, sometimes it’s cold and damp

This is my inner place I have to light the fire

I carry the wood and bank the flames.

I am the keeper of the fire; I must illuminate the space.

If the room is to be warm I must do the work.

I kindle the warm glow of memories to light my way.

The hard emotional times are found deep within

I keep those memories concealed in the dark corners.

I  enjoy the silence and feel sheltered in my cabin.

In my journal I find the freedom to explore my inner fears.

I can take the candle to the dark corners only if I choose.

Yes there are times I will do just that.

With pen in hand I start a fire that draws me in

I seek understanding as my memories warm the room

My journal is a private place where I go to warm my soul.

___________________________________________
I love your use of  fire as an analogy for insight journaling. Bringing light to the darkness, within and without is so important. Thank you for sharing your poetry Delaine.

Delaine Gately also designed the cover of  Changing times: Women's Stories  and her winning story Mattie's Quilt was included inside along with another story she wrote titled The Little Box.

If you haven't tried to write poetry- the secret is to not try, but just free-flow write on a theme that you feel inspired by such as something said, felt or seen. Keep the sentences short, chunk them into stanzas afterward, and there is no need to rhythm.  If it's possible, write when the inspiration hits, as fast and quickly as you can. Your creative neurochemicals' spark is on your side for a short time, so grab it while it's hot. You can go back over it later. Inspiration is everywhere. I'm often grabbed by what someone says or buy a celebration, happy or sad, big or private.

And, of course, keep your poems coming, or post them yourself. I have others I will share if you would like that. Let me know dear readers.

Here is a little reminder about how to post a comment so that others can be a part of a discussion. There doesn't seem to be a way to comment directly from the Feedburner post sent to subscribers. It seems you must be on the Blogger page itself.  So if you click on the colored title of the emailed post you will be taken to the Blogger page it is on  and you will find the comment section at the end of the post.

If someone knows how I can make it possible to comment from the subscriber post, please get in touch with me.


Piece,
Kim

kwulfert@earthlink.net

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Open to your Creativity in my new Online Class- free Intro call this Thursday

I welcome you to join the Circle of Evolving Women to learn 4 WAYS TO ACCESS GUIDANCE WITHIN YOURSELF AND THE BIGGER VISION FOR YOUR LIFE.

Circle One- this Thursday, Dec.. 10, 5 PM Pacific, free introduction to the workshop series beginning in Jan. 2010. I'll explain the workshop, answer your questions, and I will give you a brief overview of my story of the last few years that led to the realization of these methods being the best way to find my life's meaning and living it each day totally alive in it, creatively, focused and joyful. You will be able to tell if this may be what you've been (perhaps unknowingly) wanting to have.

Circle Two: Mindfulness -
Define it and why you want it,
How leaders, teachers and other's experiences of it mean to their life,
How mindfulness accesses synchronicity and creativity to deepen your daily life
Experience it
Get tips on how to practice mindfulness during the week

Circle Three:  Meditation -
What is meditation
Effect on you physically/medical, psychologically/relaxation and spiritually/ connection to inner guidance/Source
Some ancient but still used methods described briefly
The simple steps to starting your own meditation practice, I.e. frequency, position, length of time
Experience a short guided meditation from my favorite teacher and share time.

Circle Four:  Journaling -
Defining it as I use it here for connection to inner guidance and moving forward
Describe several methods to use in various situations
How to set up your journaling practice
Experience the journaling process and share time

Circle Five:  Using Your Dreams -
Why bother to record and pay attention to your dreams
Learn an easy and grounded way to interpret them for yourself every time
Demonstrations of interpretation with this method using your recent dreams
How to set up your dream practice

Circle Six:  Intuition Flourishes
From there to here, looking at you from this new perspective,
Wrapping up your thoughts and remaining questions
Your next steps for moving on from here & facilitating the flourishing of your intuition

Optional Individual Circle -
To help you individually with your Evolving Women's Circle process, one private hour with me is available to you during the 5 weeks up to 2 weeks after it ends.

Please join me. For details and to get call-in information, http://tinyurl.com/yznl6tw  Start the new year off with an inner knowing that takes you where you can go. It's bigger and better than you are thinking it is now.

NEW Signature Quilt Database is online now at The Quilt Index & Quilt and Antique Sewing Machine links you'll want to check out

I hope your thanksgiving was a blessed and joyful one with family, friends and quilts to keep you feeling good. The end of this fabulous year is nearly here. I have some opportunities coming to you in 2010 if you want to intensify the good in your life and live it to the fullest.

I've placed some links you might want to check out for your quilting pleasure below the fabulous news of the Signature Quilt database now online at The Quilt Index! WE thank you so much!

As you may have heard, the Quilt Index recently launched its expanded website, with more quilts, a new look, and new zoom and comparison tools.

One of the most compelling components of the expansion is the Signature Quilt Project (SQP). In all, 61 signature quilts were uploaded to the Index, surpassing our goal. In addition, QI staff identified more than 2,000 signature quilts that had already been added to the Index by contributing institutions.

They were categorized into themes for easy navigation-

The Beginnings of Signature Quilts: The 1840s Signature Quilts: Friendship and Family Signature Quilts and Westward Expansion The Golden Age of Signature Quilts, 1876-1910 Redwork Signature Quilts Community, Club, and Church: Public Signature Quilts Contemporary Signature Quilts Love to Wini: Signature Quilts for Healing and Comfort

You can find the Signature Quilt Project at http://www.quiltindex.org/signaturequiltproject.php. Here, you?ll find an essay, ?Researching Signature Quilts,? by Amanda Sikarskie, Marsha MacDowell, Karen Alexander and Nancy Hornback, a bibliography of recommended reading on signature quilts, and eight curated galleries that group the SQP public submission quilts thematically:

We have also created a special search page for signature quilts at http://www.quiltindex.org/signaturesearch.php. You can quickly browse all of the SQP public submission quilts by following the links.

We invite you to try using the Quilt Index?s new zoom tool with the signature quilts. A good one to try (because of the large file size of the original image) is the Jamestown First Baptist Church Quilt, contributed by Jane Evans Leonard, http://www.quiltindex.org/basicdisplaynew.php?kid=4-15-5C.

An interview with Merikay Waldvogel on Collector's Weekly, http://www.collectorsweekly.com/articles/the-history-of-american-quiltmaking-an-interview-with-merikay-waldvogel-part-one/

I'm also including a link to our quilts page in case you haven't seen it:http://www.collectorsweekly.com/folk-art/quilts

Here's a clue to the last link I'll send today.

- September 25th, 2009 at 6:12 pm Lisa Said:
"I just listened to episode 2 and I wanted to let you know how much I enjoyed it. I have never heard an interview quite like this on any quilting podcast. I loved hearing about quilting from a psychologist’s perspective. Quilting really does have healing powers!
Keep up the good work!"

This podcast interview was done by Marceli Botticelli, a mother, wife and an architect in Boston, who also loves quilt making and antique Singer sewing machines and their history. She requested an interview with me in the summer and was a joy. her lovely accent may fool you a bit. She is from Brazil originally but has lived all over. i was honored to be her first interview for this new blog.

http://wholelottasinger.blip.tv/posts?view=archive&nsfw=dc has episode 1 & 2 in blip TV or go to her blog http://wholelottasinger.wordpress.com/

That's all for now. Wish you each a pieceful week. I have some yummy DVD and Book reviews for you coming up and the other stuff I mentioned at the top. Love you all! Kim



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New Book about African-American Quilters, Past and Present

Hi Everyone!

It's been a fun filled, busy working, magical summer. I hope you are having a good summer.

Whew! It is hot hot hot in my town, going on 3 or 4 weeks now.  With the a/c on I can get allot of reading and writing done, but when I am trying to hold off to help prevent electrical overload it is dripping hot. I moved my "office" downstairs and I love it. I am using a 19th century sewing table as my desk. it is exactly 36" long with a yardstick measurement carved into it near the bottom edge, but not on the edge. It is 18" deep and the legs fold up!!

I wanted to link you to this touching video, seen on ABC news, about quilts being made in the Black community today. Black quilts: From slavery to the White House 

This new book is written by Patricia Turner,  a professor of Cultural Studies at University of California at Davis.

"Crafted Lives, Stories and Studies of African American Quilters"I have not read the book myself. The publisher's summary follows:

"

In Crafted Lives: Stories and Studies of African American Quilters, Patricia A. Turner explores the culture and recent history of African Americans through the creations and wisdom of nine quilters. Turner profiles quilters who exemplify the range of black women and men dedicated to the making of quilts, and she shows how their craftwork establishes order and meaning in their lives. The artisans comprise eight women and one man, ranging from teenagers to octogenarians, representing an array of education and income levels, and living across the United States, including Alaska.

Turner also probes the ways in which African American quilts and quilters have been depicted, discussed, criticized, and characterized. From the displays of Harriet Powers's creations at the turn of the twentieth century to the contemporary exhibits of such black art-quilts as those promoted by Carolyn Mazloomi, and such utilitarian expressions as the celebrated examples from Gee's Bend, Alabama, Turner uses quilts to assess the level of control African Americans have had or have not had over the materials they craft and the art they leave as legacy to new generations.

 

Stay cool!

Review of Kyra Hicks new book "This I Accomplish: Harriet Powers' Bible Quilts and Other Pieces"

 This I Accomplish: Harriet Powers' Bible Quilt and Other Pieces is the new book by Kyra E. Hicks. In it we learn facts never revealed about Harriet Powers, the former slave, born in 1837, who became the recognized quilt maker known today for her primitive style appliqué quilts depicting tales from the Bible and American history.

Kyra’s intimate style of revealing her research findings, step by step, feels like a Nancy Drew mystery unfolding before me. It is a page turner. “This I Accomplish” is intended for adults, but certainly would be enjoyed by younger history buffs too.

What little has been known, until now, of Harriet Power’s life has been documented in several publications and exhibits. Her workmanship displayed in her quilts have always been heralded as joyous, remarkable for their colorfulness and creativity. Yet, often Harriet’s illiteracy was used to justify or explain the primitive quality of her symbolism of Bible stories in appliqué figures and shapes. As Kyra’s research findings prove, Harriet was reading the Bible herself from a young age.

Mary Lyons, author of “Stitching Stars, the Story of Quilts of Harriet Powers,” shows a corollary between her animal shapes and those of appliqué cloth-workers in Abomey, Dahomey, (now Benin) in West Africa.

The intimate quality of this delightful book about a wonderful African-American 19th century woman is Kyra’s passion and joy exclaimed at each successful juncture in her discovery process. Reading her portrayal of the process of researching quilt history is like watching a reality show. Her highs, lows, questions, assumptions, hopes, surprises, searching and deciphering are all included in this informal yet packed with details book. The genealogy of all persons involved, a little to allot, is a large part of the book. The impact covers a broad range of people in America’s history.

Kyra establishes beyond a doubt that Harriet made more than two quilts. She delves deep into the history of the Pictorial quilt, which features blocks depicting both Bible stories and weather events in America’s past. Kyra’s deep respect and admiration for Harriet is easily sensed throughout the book, making Harriet became a real person and furthering my appreciation of her life.  (Read more here)

This I Accomplish is available on Amazon.com now. It is a book of high value for  many genres of people, not only quilters and quilt history students, but women's history, genealogists, those people wanted to see research in process, and American history enthusiasts.

Kyra Hicks, with her book, will be my guest interview in October on Women On Quilts. The lines will be open for Q & A.

Quilters and the Friendship Effect- Ways to Creatively Cope During Stressful Times

When you feel stressed-out about the economy or a job loss friendship, quilting and charity work can lift you up.(This quilt block is ca. 1845. I bought 4 different ones at the Quilt Festival in Long Beach 2008. All of the Art Quilts were shown at Pacific International Quilt Show, October 2008)

The effect of bonding through friendship on a female's natural response to stress was recently studied in a prestigious university's landmark study. They found that in the female brain different chemicals are released during stress than in male brains. Females release oxytocin.

Oxytocin is the natural occurring chemical released in a woman's brain when she gives birth, breastfeeds and cares for children. Oxytocin soothes and buffers the    automatic "flight or flight"  response. Quilters know meaningful conversations and sharing of feelings  happen during a girl's night out, a quilting retreat or class, meeting for dinner, or talking on the phone.

Other studies show when you give to a charity you believe in and know your donation will be used the way you want, you experiences physical and mental benefits that come from that act of doing good for someone else. Making donation quilts for children, elders, soldiers and others in times of need is nothing new to quilters. You give the gift of quilts as a symbol of their love in the form of a cozy fabric hug.

Women who are adept at machine work talk about "the zone" they get into. This is a mindless state of relaxation which is productive and relaxes the body and reduces stress responses that may follow.

Dealing with stress was a common theme when I was practicing as a psychologist and it is frequently the topic as I coach creative solo-preneurs today. Sewing and quilting are not always available when stress is high at work or when you're tired, or your eyes need a rest from close work, but paper and pencil are always handy.  Journaling or writing out how you feel about your situation is another powerful stress reducer. Writing a detailed narrative of the upsetting events, past or present, that occurred in your life and most importantly your feelings about them, has been shown to be very effective in relieving depression. Sometimes it can be as effective as therapy or anti-depressants.

Seeking friendships, quilting, giving, tackling solutions in chunks of time and focusing most of your thoughts on what is good about your life and gratitude for it will help to sooth your mind and body. Without further effort on your part, chemicals will be released to help you cope until inevitably things will turn around and point you in an exciting new direction.

I hope this was helpful info. Or you can say it just gives more reasons to be glad we are quilters!

Piece to you and those YOU quilt with,

Kim

Ghost Quilt Show on Hold & Creative Writing Challenge Reminder

Thank you to everyone who wrote me behind-the-scenes and in comments on the blog. I loved hearing your thoughts about ghosts and spirits in textiles and homes, and talking about your personal experiences. But alas, no photos came in for our show and tell.

In reptrospect this may be in part due to Sat. landing on a holiday weekend. I told you I have been super busy and it didn't occure to me until a few people said they would be away for Easter. May you all have a blessed Sunday.

As a result, I won't be holding a phone or webcast talk on Sat. ,prior to my first ghost hunt, but I talked some freinds into going, so we'll have a blast.

Do you want to hear about it? Do you want to schedule another ghost quilt show& tell? I could share my experience and have a show and tell if you have photos to share.

Let's open it up to any textiles or sewing or needlework that have a spirit attached, or so it seems possible to you. Let me know by commenting below or emailing.

TO COMMENT- click on the word comment below the blog post. If there is a number infront of it, taht tells how many people have commented. I would prefer if all the comments showed up on the post itslef, and I have set it that way in the settings section, but it doesn't work out. I love your comments and read every one.
Do you like a Sat. time or prefer a weekday evening?

The Writing Challenge- If you are writing a creative fictional women's story for the writing challenge, we love you!! I have received some wonderful stories. Thank you so much for joining in and sharing the words from your heart and mind. The deadline is April 20th about 12 days from today.

If you haven't tried to write a work of fiction, you are missing a joyful inner experience. let your imagination go, be in a place and time, with people you would love to be with, quilting, sewing, knitting, growing food, writing poems, whatever makes your heart sing. Do it in 1000 words or less and you have a chance to be published and interviewed on my WOQ with the others finalists. We'll have a great time!

Take the chance of risking your creativity, challenge yourself. Make a quilt inspired by your story, design it to reflect the feeling in your woman's story. Send in the photo and I'll blog it. No, I don't expect that this would be before the deadline, whenever is good.

Have a wonderful weekend everyone!


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Ghost Quilts Online Show & Tell April 11, Saturday 10 AM Pacific Time & Project Runway's New Home

Ok I am going to share a secret with you, my subscribers- whom I hope know me well enough by now to understand my fascination and not get caught up in judgements. It's not for everyone I understand, but then neither is eating meat or hand quilting. I like to, really like to, read, watch and hear stories about ghosts and haunted places. I am big fan of Sci Fi channel's Ghost Hunters.

A couple of weeks ago, Grant and his partner Jason, the founders of TAPS (The Atlantic Paranormal Society in Warwick RI) investigated Slater Mills to see if the ghosts and other supernatural reportings were genuine. Sure enough, some of the mill buildings are haunted! It was a great show. For example, they connected with a small child who was able to answer their test questions (about the room and description of the people in it) by making their small device light up, 1 for no, 2 for yes, or vice versa. If you haven't seen the show, at least go to their website and watch videos. Their equipment and techniques have changed over the years and it is fascinating. Ghosts, spirits, do exist.

This photo of the inside of Slater Mill was taken during an investigation by the Little Rhodies Paranormal Society.

I am going on my first ghost hunt a week from today, April 11, 2009. I am such a scaredy cat. I picked a day-time tour of haunted places in the town next to mine, which was built in the late 19th century. Sure, they have night tours, have for years. They have planned hunts at local adobes and ranches known to be haunted in order to record events they could track, but I'll start here in the light of day, thank you very much.

In light of this exciting event I am offering a Ghost Quilt online and on the phone Show & Tell. and guess what - BOO- you're it! or, your quilt is it. In honor of all the spirits connected to the quilts in our collections, new, old, those we have made, those we have received, this is your chance to bring them into the open and share their picture and story with others. In a hurry- scroll down to final paragraphs for specifics.

I am totally serious. I will take your photo on a first come first serve basis. One per each person. Send them to me right away and plan to be on line and on your phone both on Sat., the 11th, at 10 AM Pacific, noon Central and 1PM Eastern time. I am trying out a new interactive Webcast system , GoToWebinar. Those who show their quilts will be asked to talk about their quilt's ghost. Then afterward, I'll go off to join the ghost hunters in downtown Ventura with known ghost hunter and historian, Richard Senate. Check out his newsletter and podcasts He's been around a long time. He's written books together with his psychic wife, such as the true story of Lizzie Borden , and so much more. She has helped with criminal cases the police are confused by and they investigate private homes for spirits too.

Speaking of Lizzie Borden, Ghost Hunters the TV program investigated Lizzie Borden's house where the murders took place. See what you're missing :) The photo at the top of this article was taken during their investigation.

So, what constitutes a Ghost quilt? That's up to you. You know who you are. Have fun with it. You can make it up, or think you've made it up if it makes you feel any better telling us about the weird things that happen around this quilt or that happen when you sleep under it, or someone else sleeps under it.... The quilt you made and felt someone was looking over your shoulder the whole time, but wasn't visible. Or maybe there are ghosts on your quilts in the fabric and your story is about that. Whatever you want to share will be fun for the rest of us to see AND it gives me the chance to try out this webinar. Kristen Miller's haunted house quilt seen in the picture here is on the Stolen quilt site. It disappeared in March 2006. if you've seen it, her email is on the website.

***This will be free. There will be no recording afterward. It won't be free again after this trial version, so send in your photo, give me a glimpse of your story, and I'll let you know if "you're in or you're out." (a la Heidi Klume style in Project Runway, now will be on Lifetime TV instead of Bravo TV, starting this summer I read) but all of you can come watch. If no one sends in pics, there will be no show. Subscribe right now to receive the emails with the link and phone number to call on Sat. The subscribe opt-in is listed on the left of this post where you see SUBSCRIBE in big letters. Subscribe for emails,not RSS feed because you can easily miss that. I AM NOT GOING TO PUT THE PHONE NUMBER AND LINK ON THE BLOG but for long enough to send it to you. YOU MUST SUBSCRIBE TO EMAILS TO GET info FOR THIS EVENT. Remember, there won't be a recording or Webcast to view later using this technology.

****If I get a lot of entries, we can view and talk for longer than an hour, to 1.5 hrs. You can come and go, but you have to be there when your quilt is shown to tell your story. SO, when I email you to tell THAT YOU ARE IN, I WILL GIVE A NUMBER AND IT WILL CORRESPOND TO WHEN YOUR TURN WILL COME AND OU CAN PLAN ACCORDINGLY. SIZE YOUR PHOTOS BEFORE SENDING THEM. RESIZE THE ACTUAL VIEW SIZE TO 25% AND and SAVE IT ON YOUR END BEFORE SENDING IT TO ME. YOU MUST RESIZE TO THE 25% WHEN VIEWING THE PHOTO IN THE ACTUAL VIEW SIZE MODE ON YOUR END, THEN SAVE IT, OTHERWISE IT ISN'T SAVED TO THAT SIZE LIKE YOU THINK IT IS. I CAN ALWAYS ENLARGE IT IF NEEDED.

I hope we get some photos, 1 quilt person please, but if you should have 2 ghost quilts, let me know and if we have space I'll let you know to send that picture too. 2 photos per quilt, and send the second one if it adds value to the ghost story, otherwise please don't.

Any questions, contact me, but I am extremely busy these days, :) so please check to see if the answer is explained above already; I can't promise I'll take the time to answer if it is, I'll hopefully be busy uploading your photos into the webinar :)

Let's have fun ghost quilt hunting together next weekend!!

Kim

PS. I also follow ghostguide on twitter who is Melissa Van Rossum. She writes informative articles and books and does readings. I bought her book "All You've Ever Known." Aspects of her work remind me of the CBS drama's character Melinda as the Ghost Whisperer.

PSS. Spread the word... and you thought Boxes Under the Bed had it all wrapped up?

Celebrate- It's National Quilting Day! Hug Your Quilt today, March 20

In honor of both Quilting Day and Women's History month I am reprinting an awesome post Julie Silber posted on the Quilt History List this week (with her permission).

Julie is answering a question posed by Catherine Litwinow about a 19th century quilt made by abolitionists, as evidenced by a single inked patch of a slave in chains in a huge silk quilt. Beneath the kneeling male figure holding his chained hands up as if begging to be released, is the phrase "Deliver me from the oppression of man."

The quilt is pictured on pages 70 & 71 in a book co-authored by Julie Silber, Pat Ferrero and Elaine Hedges, "Hearts and Hands, Women, Quilts and American Society," which was published in 1987. It remains  one the THE best books on women's history in America in the 19th and early 20th century. The rest of this blog is written by Julie--

Elaine Hedges, Pat Ferrero and I used Deborah Coates' quilt as part of the COVER design of our book, "Hearts and Hands," as well as within the pages...

I must tell you about first seeing the quilt.

When Pat and I first saw the quilt (about 1987, at Jonathan and Gail Holstein's home in Cazenovia, N.Y.), it was in two pieces, having years before been cut directly down the middle.

Each of the two "new" edges (on each half) had then been bound, years before, probably whenever the quilt was cut.

The inked piece (a small triangle) had been right in the center of the full quilt -- and so it was cut in half!  The tiny inked image of the bound slave (and the words) -- now on two halves -- had been almost entirely covered over by the new bindings. 

It was Pat ("Eagle Eye") Ferrero who first noticed the mere wisps of ink on the two halves of the split triangle.  The owner of the quilt (a descendant) gave us permission, right on the spot, to carefully remove a few stitches holding the binding in place. No one had ever noticed those little marks before...

It was then that the family saw evidence, for the first time, that their ancestor, the quilt maker, Deborah Coates, had indeed been firmly committed to the abolitionist cause.

Her husband was a well known activist, fully dedicated to the cause of Abolition.  His name appears frequently in a "public"
way -- in newspaper articles on the abolitionist cause, and frequently in the minutes of abolitionist meetings. These "documents" remain, and are part of the official "historical record."

But his wife ... how was anyone to know where she "stood"?

Until that amazing moment in 1987, when a few snips of a scissors revealed what she had added in ink, the family had not known, with any certainty, where Deborah's heart was.  What a moment!

The family then took the ball and ran ... and soon discovered another fact previously unknown to them:  The Coates' home in Cazenovia had been a stop on the Underground Railroad!

A lesson about how fragile and elusive women's history (in
textiles) can be -- and how respect, careful observation, and an understanding of historical context can benefit and enrich us all.

Julie Silber
The Quilt Complex
quiltcomplex@hughes.net

(The book, Hearts and Hands is now long out-of-print but we have a few "new" copies at Quilt Complex that we bought from the publisher. Now signed).

***Julie will be my featured guest interview on Women On Quilts, June 15th interview. Join us!***

3 Special Announcements (2 with Deadlines) in Salute to Women's History Month & National Craft Month

1. Join me this Monday night for my tele-interview and group discussion with Lynne Z. Bassett, editor of the newest quilt documentation book "Massachusetts Quilts, Our Common Wealth." It's free and fun and it starts at 5 PM Pacific time, 8 PM Eastern. For all the info and links click here

2. I am sponsoring a creative writing challenge and fundraiser The Quilters Hall of Fame, to help with this year's induction ceremonies of Merikay Waldvogel, and in salute to National Craft Month and Women's History month. A call for fictional stories and the chance to be in an eBook I will publish, go here for details and see some fun photos from my ephemera collection.

3. Quilter Harriet Powers is inducted in Georgia's Women's Hall of Fame!

"A novelist, a conservationist and a former slave whose works now adorn the Smithsonian Institution and the Boston Museum of Fine Arts will be the inductees this year into the Georgia Women of Achievement Hall of Fame.

Conservationist Jane Hurt Yarn, novelist Caroline Pafford Miller and quilter Harriet Powers, all deceased, will be inducted in a ceremony Thursday at Wesleyan College in Macon.

Quilter Harriet Powers, 1837-1910

Born a slave near Athens, Powers became a renowned folk artist long after her death.

Using a Singer sewing machine she purchased in 1881, Powers exhibited the first of what became known as her "story quilts" at the 1886 Clarke County Cotton Fair. The quilt was made from 299 separate pieces of fabric and it depicts scenes from the Bible and spirituals. It was a remarkable achievement, especially considering that Powers could not read.

She sold that work, which is now in the Smithsonian's Museum of American History, for $5. The buyer, Jennie Smith of Athens, entered it at the 1895 Cotton States and International Exposition in Atlanta. The faculty wives at Atlanta University saw it and commissioned a second quilt.

The second quilt illustrates 15 Bible stories and events such as a cold snap which struck Athens in February of 1895. It is now on display at the Boston Museum of Fine Arts.

Powers' work has been celebrated over the years. An off-Broadway play, "Quilting in the Sun," recounts her struggles and accomplishments, there are many articles about her and her two celebrated works, and there is a move to honor her with a postage stamp."`Written by Chuck Mobley for the Savannah Morning News and for more information: To learn more about the Georgia Women of Achievement, and about the other inductees this year and the ceremony

Small Blocks, Stunning Quilts

The new bookwritten by Mary Elizabeth Kinch and Biz Storms (That Patchwork Place)

In one sentence, this pattern book is a reproduction fabric-lover’s dream.The quilts made by the authors make it clear they are bonafide scrap loving quilt makers who put as many different reproduction prints into one quilt as humanly possible.

Mary and Biz define small blocks as under 5” square and stopping short of being miniatures. Any collector knows their raison d’être for the choices they make in purchasing an antique quilt. For Mary and Biz it’s the quilts made exclusively with small blocks that knocks the wind out of their chest in a gasp of glee when seen from across a room or vendor booth. their enthusiasm is palatable through the book and you can’t help but appreciate them for this. The book came from this passion and their hands.

In the first section are pages of 19th century quilts made with small blocks of rosettes, stars, flying geese, half square medallion quilts and others, which the authors studied for inspiration. There are scrumptious pictures of fussy cut hexagons in repro fabrics that match any antique ones I’ve seen. They make me want to get out my hand sewing and try a few. They use clear template plastic and a sandpaper board to mark then cut these little pieces just so.

One of the antique quilts pictured in this section is an outstanding chintz medallion coverlet made c. 1841 in Australia, the “Rajah Quilt.” Female British prisoners on board the convict ship by the same name as this quilt made it. It is a beautiful medallion quilt with 12 borders of various widths with myriad blocks or appliqués. they counted 2,815 pieces of fabric. Biz and Mary are fabri-holics to their core.

With fabric and color leading their every choice in making small block quilt, less attention was paid to the era of the reproduction fabrics they chose. The book is does not mention fabric dating or reproduction quilt making. It doesn't tell the reader how to make their quilt look like a certain era, but their quilts have a traditional and older feel.

Mary and Biz like to machine sew, they find the repetition calming and meditative, so making little blocks with simple shapes gives them lots of quiet time!

They work in an organized manner of chain piecing mixed with liberated techniques of taking the next fabric in a stack without deliberation. The color decision and fabric choices are made at the start then the project proceeds from there without too much attention to what color ends up where. They dedicated the book to their mentor and friend Gwen Marston who inspired them to get out of the rut of worrying about each piece in a quilt. Yet, they remind us that measuring and precision in the sewn seam allowance, is extra important when making small blocks, and they prefer to slow down the sewing and enjoy the process and feel of the fabric. I like this too.

I wonder if there is a Universal move toward smaller going on as our world economy shifts... as I was typing this from my longhand, a Burger King ad for their new smaller tiny burgers came on TV. All the girls gathered around them cooing. Do we coo over small block quilts...really, do we?

***Not to be missed! Do we coo over wonderful old dresses too? Yes!! Check out this just published online article that features a pre-Civil War dress in Nancy Kirk's collection, The Story in a Dress written by Suzanne  Arney. It is also published in the March/April issue of PieceWorks magazine. Click on the link for a full color article PDF.***

Piece,

Kim

Antiquequiltdating.com is Exposed Across the Pond and a Border!

What a surprising year 2009 is turning out to be- wow! I am so grateful. My website, officially titled New Pathways Into Quilt History ,is in its 8th year having begun in the spring of 2001. I owe so much to Judy Breneman, of Womenfolk America's Quilt History websites for helping bring me into the cyberspace world. In 2001, she posted her new website on the QHL and invited anyone who was interested in starting a website on the same server she was using, WebSeed, to let her know. WebSeed required weekly updates and other things as they were making advertising dollars off of our websites. It didn't succeed for them  but Judy and I continued on a regular hosted network system. We were on our own now.  Judy and my husband helped me operate and grow my website, as well as a second one for selling my Antique Quilt Dating Guides...by Style. I am grateful for their belief in my ideas and their support and troubleshooting through the years.

It was exciting when guest authors wrote fabulous articles specifically for my website's audience. Requests for fabric and book reviews have been a welcomed adventure.  I have a stack of books on my desk now that are awaiting to be shared with you. Because of all the input from quilters and writers from around the globe, the website developed its own diverse expression. I am not taking credit, instead I am thrilled that the outreach of many has come to the attention of publishers in England, Ireland , France, Canada and Australia, as well as US magazines and publications online and in print. Here is what has occurred this year.

In the January issue of Britain's Patchwork & Quilting magazine,  Yvonne Jenkins editor of Wandering the Web, featured my website "An excellent website for any quilter interested in the history of quilt making" is her opening sentence. And her closing sentence is just as lovely. Quilters Spirit is described, so all of you are in the magazine too, in Spirit!  Thank you Yvonne for this generous review and a wonderful surprise!

It was my Irish friend, Roselind Shaw, who told me this article was published in the magazine she reads faithfully.

 

 

Some of you may recognize Roselind's name because she has two articles about Irish Quilts on my website. It is this quilt article of Roselind's that caught the attention of the editor of the newest quilt magazine Irish Quilting, Sherry Nugent. Other quilters featured in Irish Quilting's Vol. 1, Issue 2 magazine are Mark Lipinski, Pat Sloan, Kimberly Einmo and Terry McNeill. This is a gorgeous magazine, with the quality of paper and photos as that of Quilt Mania magazine. This issue has 99 pages of patterns, travel, articles and quilts quilts quilts, mostly contemporary, but obviously not all. Rosalind and I were thrilled to receive the request to be in this magazine. I have seen the first two issues and it is not only for Irish quilter's. Quilters anywhere would love this magazine and where else can one find out about what the Irish are up to in the quilt world! They are busy and innovative. There is a  Quilter's Guild of Ireland, an Irish Patchwork Society, and of course, the Quilter's Guild of the British Isles. For more information and to subscribe to this magazine contact info@irishquilting.ie and subs@irishquilting.ie It will be available in the US. Turns out Sherry's mom lives in the same town where  my quilt guild meets. Small World!

Canadian web designer and quilter, Michele  Foster, founder of the Quilting Gallery invited me to be in her month long series about quilt bloggers.  This month, on the 18th, I was the featured blogger. I was among many wonderful quilters, so check them all out when you take a peek at mine. I decided not to write the typical normal this is how I got started kind of thing. I hope you enjoy the views I share in this piece which has a few photos too. The art quilt I made, title Reverberations, needs to be quilted. I can't figure out the best pattern to use and would love input from those of you much better at quilt patterns for contemporary quilts than I am.

If you are interested in quilt history study groups, I have posted a detailed summary of our discussion about them earlier this week on Women On Quilts, check it out here. IF nothing else, there is a long list of suggested topics provided by the Illinois/Iowa Quilt Study Group. They meet at the Kalona Quilt & Textile Museum in Kalona, Iowa twice a year and their meetings and efforts help raise funds to keep the museum running and caring for their collections. The Group also  produces the magazine "Pieces of Time" which their study group meeting's photos and focus contribute to and the members do most of the writing in it. What an incredible accomplishment!

May your year be filled with wonderful surprises and people as well. I certainly value your readership and sharing. Piece on!

Kim Wulfert

Abundance of Quilts for the Eyes on this Thanksgiving

The Internet honestly I never would have thought I would say this, but it is a blessing. I am about to share with you links to incredible quilt articles, full of love, care, photos and inspiration and mindful thoughts for you to ponder and enjoy over the Thanksgiving break. (I know some of you are saying A break- what's that?)  I could say that too, but I won't. I am going to take a break, consciously setting my work and demands aside for a couple of days. If it feels really good, maybe three days!

I am headed to San Diego to view three quilt exhibits. The main event however is a phenom of avant garde art quilts at Visions. Visions is a juried exhibit. Something like 564 quilted works of art were entered and 41 were chosen. The museum in Oceanside, CA, is tiny, and this limits the number that can be shown. It's a lovely setting and shows the quilts off well. And let's face it, getting your quilt accepted is even more of a coo with odds like that.

Riding on Thermals
by Rose Hughes
Exhibited at PIQF 2008

To learn more about becoming a quilt artist, meet Rose Hughes, maker of this velvet and silk quilt, December 3, on Women On Quilts You can see more of her quilts on this page too. 

So - Take your time, pour a glass of whatever you love to sip, put on some soothing music, light a scented candle, and begin to embrace the variety below.  I recently discovered a musical group or orchestra really called State of Grace which I love to listen to as I work. Few words, mostly heavenly music. Very inspiring. It's published by Windham.  Don't confuse it with their State of Grace 2, it's not as soothing IMHO.  While I'm sharing, have you discovered the exquisite scented candle made by W&M Co.? Wow, scented meets it's match. I bought mine at Home Goods in the Silicon Valley, but it's a chain of stores.

http://www.selvedge.org/default.aspx  1924 video about the  wool manufacturing process step by step in Australia

http://www.pintangle.com/journal/2008/11/21/another-2-diamond-blocks-done.html  crazy quilt embroidery stitching
and http://www.pintangle.com/journal/2008/11/23/how-to-transfer-embroidery-patterns-to-fabric.html  hot to transfer embroidery patterns to fabric

http://lucyquilting.blogspot.com/   "Quilting with the Past"about making reproduction quilts mostly

http://www.gwenmagee.com/portfolio.html  Gwendolyn Magee, Art quilter, some are statements on slavery, intense & speak volumes

http://www.needlenthread.com/2008/11/art-of-embroiderer-museum-exhibit.html  antique embroidery on clothing at Kent Museum

http://www.colourlovers.com/blog/category/interviews  scroll down and down through the posts to see the photos mostly, but they grab you to also read text. Warning- no quilts, yet.

http://greenquilts.blogspot.com/2008/11/new-use-forpaintstix-rubbing-plates.html

Marshall county dump quilts  http://pennysanford.typepad.com/penny_sanford_porcelains_/2008/04/finally-the-sto.html

Judy's frugal link http://www.womenfolk.com/frugal_quilting/
quilt_business.htm 

Selvage jacket Calendar Pages
http://calenderpages.blogspot.com/  and http://calenderpages.blogspot.com/2008_10_01_archive.html and http://calenderpages.blogspot.com/2008/11/jacket-finished.html

http://charmsofdays.com/ Lots of feedsack photos intermingled

http://www.sacredthreadsquilts.com./default.htm be sure to click on the Gallery tab to see previous winning quilts

End with http://farmgirlfollies.wordpress.com/2008/11/12/be-generous-of-spirit/

http://needlework.craftgossip.com and
Oh Well, La La http://denisefelton.blogspot.com/ 

http://lynnewsnyder.blogspot.com/2008/11/lunch-at-quiltlers.html  the Provo quilter  country charm

http://seattlepi.nwsource.com/local/389492_caps26.html  inspiring story about teen girl helping homeless, quilts mentioned just once

http://www.uwhealth.org/gored/goredforwomenandquilting/13919  go red

http://scrapsandthreadtales.blogspot.com/  scroll down for location pictures on this woman's travel

I have enjoyed our journey together this year. Thank you for being with me on it. Each of you are a gift to me. Together we hold the thread that forms the circle of quilters spirits around the world.

Piece to you and those you quilt with,

Kim

The Alliance for American Quilts & Stories

My interview with Amy Milne including the many projects she directs within the Alliance of American Quilts was inspiring, thought-provoking, and truthfully, it felt like a gift was handed to me.

As a result I want you to hand the gift to you too. Amy has agreed that we make this interview available to all of you, VIP or not, right here by webcast. Start here.

Posted by Kimberly Wulfert
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Harvard Student Reviews Gee's Exhibition

Gee’s Bend: The Architecture of the Quilt' displays quilts from the 1930s through the 1970s and some quite recently, post the first exhibition in 2002. In A Cultural Patchwork,The architecture of the quilt, student PIPPA ECCLES today wrote an article and review for The Harvard Independent.

Pippa is fond of quilts and they are her thesis topic. She gives a condensed and precise overview of the history of the origins of quilting in Gee's Bend, from the 60s into the present. She hits on the controversy or controversies, including the ongoing, (pre-Gee's) debate about whether or not quilts are art at all. She gives her view of the exhibit at the Philadelphia Museum of Art, which is inspired by her personal take and the quilters history.

I digress for a moment- it is the quilter's history that has always grabbed me and my attention on the quilts too, admittedly, more than seeing the quilts in person. I like them better in books than in person myself. I made a reproduction of one I particularly liked in the big blue book. The top is made of three high contrast fabrics in all long narrow rectangles. I used older fabrics, used from clothes made in the mid last century and a sheet. I cut the pieces by scissors and made the pattern look the same, but it just didn't have the zing. It was harder than I had imagined to achieve the "awe" factor and in fact I did not achieve it all all. My respect for their artistic eye and creative thinking remains high, along with being inspired by their historical underpinnings beginning last century.

Pippa's article is worth your time to read. Here are a couple of out takes

"Their display is evidence of how far we have already come. However, it is hard not to feel like a true triumph of the quilting medium would allow the quilts to exist as artistic masterpieces without the justification of museum walls. "

"Despite the tendency toward improvisation and originality, many of these quilts are also based on patterns and display both a remarkable ability to innovative within boundaries as well as the inherently communal aspect of quilting. The “Housetop” pattern (a variation of the traditional Log Cabin) is a favorite amongst the women of Gee’s Bend. Other quilts are based on traditional Euro-American quilting patterns, such as Wild Goose Chase and Bethlehem Star, but still maintain the Gee’s Bend’s penchant for creativity and innovation."

This last one may have our dear late Cuesta Benberry rolling over in her grave- she was not a believer that African-America quilts were all asymetrical, not at all. Her books show us many quilts made in traditional block styles, including appliqué. Pippa writes "Even if seen in the light of the African American quilting tradition, one that has always favored asymmetry and improvisation, these quilts demonstrate a truly remarkable degree of originality." Pippa's statement indicates how embedded this belief is in American culture.

Have any of you tried to reproduce a Gee's Bend style quilt? Tell us about it, send photos.

I will soon post photos from PIQF. It was an amazing show and I took lots of pictures with you in mind. I have to catch up on biz first and then your show will begin, with all credits given!

Piece,
Kim